The book by Broodthaers, "Un Coup De Des Jamais N'Abolira Le Hasard: Image" that is held by the Sackner Archive is reproduced . -- Source of annotation: Marvin or Ruth Sackner.

The book by Broodthaers, "Un Coup De Des Jamais N'Abolira Le Hasard: Image" that is held by the Sackner Archive is reproduced . -- Source of annotation: Marvin or Ruth Sackner.

This poem with the appearance of a film sequence in the form of a grid, was published in Second Aeon No.15, 1972. -- Source of annotation: Marvin or Ruth Sackner.

Grumman gave this print to the Sackners during his visit to the Archive in June 2001. -- Source of annotation: Marvin or Ruth Sackner.

The image of American fighting soldiers has been over-printed with the US Army death notification telegram forms. Signature of the previous owner, Bob Cobbing, is on the verso. -- Source of annotation: Marvin or Ruth Sackner.

This is a limited edition photocopied artist book designed after a unique copy of collages made by Dencker. -- Source of annotation: Marvin or Ruth Sackner.

In the duplicate of this work, the print is inscribed 'prove/ d'stampe." The same print in this folder was also printed with large white borders and signed in an edition of 100 copies; the latter is held by the Sackner Archive and catalogued under the artist's name. -- Source of annotation: Marvin or Ruth Sackner.

The work is divided in half horizontally with text phrases Eclipses, Night & Day, and the weathermen say. The title, Mile down the Nile, is drawn in large 3D capital letters at the bottom. Images include an eclipse and Egyptian newspaper clippings. -- Source of annotation: Marvin or Ruth Sackner.

Marvin Sackner heard Basinski perform this poem at a symposium held in conjunction with the exhibition, "An American Avant Garde: Second Wave" at Ohio State University in 2002. Basinski read from the poem and commented on the images while turning the drawing side to side and upside down. After he completed this very droll performance, Sackner came up from the audience to ask him if he had ever recorded it. Basinski replied "no, because it is never the same each time that I do it." Lastly, Basinski indicated that the template for the layout of the poem was an opened Cheerios cereal box. -- Source of annotation: Marvin or Ruth Sackner.

The stamp depicts a line drawing of Baroni's son in full figure holding a rabbitt on his lap. -- Source of annotation: Marvin or Ruth Sackner.