Visual poetry
Subject Source: Sackner Database
Found in 822 Collections and/or Records:
N.1/82: Near The Edge Coopstamps, 1982
Duplicates printed on different colored papers. -- Source of annotation: Marvin or Ruth Sackner.
N.7/81 , 1981
The duplicate copies are printed on different colored papers. -- Source of annotation: Marvin or Ruth Sackner.
N.8/81: Coop. Stamps, 1981
N.9/81 , 1981
The duplicate copies are printed on different colored papers. -- Source of annotation: Marvin or Ruth Sackner.
Nagging Questions and Aphoristic Remarks, 2008
Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.
Navigazione in Solitario, 1976
Neither...Nor..., 1989
Theme deals with the evolution of fish to fowl. Owing to the printing process, no two copies are completely alike. -- Source of annotation: Marvin or Ruth Sackner.
[Neo-Dada reading lamp], 1984
Object is composed of a book with blank black pages and a small plastic reading lamp covered with letraset letters. -- Source of annotation: Marvin or Ruth Sackner.
Neurosentimental , 1963
This is the first edition of the book; the second (1983) is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Never More, 1989 - 1990
A photographic image of the Beetles is collaged onto the record. -- Source of annotation: Marvin or Ruth Sackner.
[New Year 5761 Greetings], 2000
[New Year Greeting 5762] , 2001
The card displays the Hebrew word for east, facing Jerusalem. -- Source of annotation: Marvin or Ruth Sackner.
Niagar C, 1978
No More Censorship, 1990
No Response / Weber, Bruce., 1978
No Way Out, 1992
The letraset letters placed in a labyrinth that does not have an exit serve as a metaphor for Baroni's negative prediction for the place of visual poetry in the 90's. Included in a plastic envelope as "7 Assorted Pieces." -- Source of annotation: Marvin or Ruth Sackner.
[No.31] , 1997
This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.
