Unable to find any background information on this poet. Purchased this work from Ugo Carrega. -- Source of annotation: Marvin or Ruth Sackner.

Commissioned for "The Beauty In Breathing Exhibition." A human silhouette painted on a panel silently points out a chest x-ray to another figure to emphasize the physiologic importance of breathing. Behind the door, a telephone is placed adjacent to a network of printed and handwritten, torn and fragmented texts appearing as a gigantic speech bubble (reminescent of a cartoon) to suggest babble, dependent on breathing, eminating from many telephone communications. The contrast is a metaphor for the title of this work. Five of the images show the current istallation as doors leading to one of the Sackners bathrooms, the sixth shows the original free standing installation. -- Source of annotation: Marvin or Ruth Sackner.

The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts the vowels, a e o in different calligraphic styles scattered throughout the image. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of reproductions of selected works by Danon over the period 1969-1998. -- Source of annotation: Marvin or Ruth Sackner.

This drawing has an appearance of an abstract train in a landscape or seascape. -- Source of annotation: Marvin or Ruth Sackner.

This periodical features announcements of mail art activities and political poems dealing with democratic oppression in Latin America. -- Source of annotation: Marvin or Ruth Sackner.

In this book, the poem "Quebec Bombers" as Jack David describes it, "begins with the phrase "dirty concrete poet' repeated twice, then changes to "the concrete is dirty dirty,' "sum like it clean what dew they ooo.' . . . the comparison presents the clean ordered life of a capitalist system and the dirty chaotic life of the lower classes." [Lori Emerson internet 2011]. -- Source of annotation: Marvin or Ruth Sackner.

The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.

Includes an introduction by Jan Van der Hoeven and several essays by De Vree on aspects of visual and concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Consists of plastic gun and flowers with typed inscription on card: a) hold the machine gun, b) insert flowers, c) fire. -- Source of annotation: Marvin or Ruth Sackner.