This work was part of a portfolio entitled, "Quabel." The map is of Hungary. -- Source of annotation: Marvin or Ruth Sackner.

This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.

This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.

This book was reprinted in 1995 in Salzberg. -- Source of annotation: Marvin or Ruth Sackner.

For this exhibition Ori, envisioned a "virtual concert" from images of his work. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provides an anthology of Italian contemporary visual poetry along with statements by the contributing poets. Stored in Carrega box and reference shelf. -- Source of annotation: Marvin or Ruth Sackner.

Most of the text deals with Buddhist themes. -- Source of annotation: Marvin or Ruth Sackner.

The drawing is dominated by the listing of four silkscreened words listed from top to bottom, viz., Norther, Easter, Wester and Souther. Wide colored lines in a meandering fashion like unwound, tangled tape from a casette cross, encircle and go under the four directional words. The caption below these words reads, Regional News: one line the shortest distance between two points bing the prettiest. On the right side, Furnival draws in graphite, Paris c'est beauborg n'est pastiche. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was rejected for the cover design by Hansjorg Mayer because it was too complcated for a book cover. Thepoem reads "I had come about art - after only one readingi was able to tell her, - it was a Journal of secret scribing and hiding a work of fiction - interspersed wit used art - read the toge story - there are certain scenes and feelings" -- Source of annotation: Marvin or Ruth Sackner.

Topel's painting, "the portal,' is reproduced on the inside back cover; this painting is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The texts and covers were done by Jean-Claude Gagnon. Corrections and page placements were written by Jocelyn St-Pierre. -- Source of annotation: Marvin or Ruth Sackner. The top of the box translates the French title to "Where Great Spirits Gather..." (English) and "Dove i spiriti grandi sincontranno" (Italian).

The drawing iks framed but not covered with a plexiglas sheet. It was the cover image for a card announcing a private viewing at the Serpentine Gallery 1985. -- Source of annotation: Marvin or Ruth Sackner.

The main caption of this anti-police state drawing, printed in large blue, eraser stamped letters reads, "Rodney King Resists Arrest." The latter refers to the unwarranted police beating of Rodney King in Los Angeles, who did not resist arrest, that was taken unbeknownst to the police on video and aired to the American public. -- Source of annotation: Marvin or Ruth Sackner.

A bright red, triangular shape frames a black erect penis with scrotum. This print relates in layout to "The Erik Satie Road-sign, second version" made by Furnival and Moore, a print also held by the Sackner Archive. Because of the similarity, the Moore print is stored in with the Furnival prints in the flat files. -- Source of annotation: Marvin or Ruth Sackner.