Published as page 6 in Ceolfrith No.26: Bob Cobbing & Writers Forum. -- Source of annotation: Marvin or Ruth Sackner.

This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

The print on translucent paper lists a circular stream of words, printed in different colors, that relate to celestial bodies. These float over the second print that depicts a large silver globe with latitude and longitude lines. Disintegrating silver capital "V's and other letterforms on the outer border of the globe provide an visual effect that it is spinning. The printing on this work is unusually sophisticated and might have been done in collaboration with A. Doyle Moore, a master printer. -- Source of annotation: Marvin or Ruth Sackner.

Flyer for visual poetry exhibition and concert. Held from January 20-February 25 1980.

This is a partial printing of the Scream Poem over a grainy photograph of an erotic encounter. One of the prints depicts solely the text of the poem. -- Source of annotation: Marvin or Ruth Sackner.

This is a partial printing of the Scream Poem over a grainy photograph of an erotic encounter between two men and one woman. Three of the five prints depict solely the photograph associated with the poem. -- Source of annotation: Marvin or Ruth Sackner.

This book reviews visual and concrete poetry with calligraphic themes in Italy during the seventies. Its translation into English without the images is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

Peter Finch introduces his collected works by tracing those poets who influenced him. He writes that "concrete poetry does not use language for the recollection of emotion in tranquility but as the material of the poem itself." The book includes a poem, "Breath (after Philip Glass)," which repetitively utilizes the phrases, "the breath came and the breath went," as an incessant background rhythm for the main text in an analogous way that Philip Glass presents his music compositions. -- Source of annotation: Marvin or Ruth Sackner.

The text begins, "OMBWHNW ($5.95) is enigmatic like the title. It's 'bound like a prayer book.'" The book that it cites is Foew&ombwhnw published by Something Else Press in 1969. It is not known whether this print was ever editioned or the size of the edition. -- Source of annotation: Marvin or Ruth Sackner.