Visual poetry
Subject Source: Sackner Database
Found in 822 Collections and/or Records:
Sushi Sickness, 1996
Every word in this text begins with the letter 's.' -- Source of annotation: Marvin or Ruth Sackner.
T Crash, 1986
TD. Eye Ha / Hansen, Al., 1971
The image depicts a stylized 'eye.' -- Source of annotation: Marvin or Ruth Sackner.
Teatro Visivo, 1966
The illustrations depict visual poetic collages made by Ori early on; many are framed by a drawing of a stage. Luciano Ori was born in Florence in 1928. -- Source of annotation: Marvin or Ruth Sackner.
Teatro Visivo 1966, 1973
(Th) Gossamer Bed Pan, Revised, 1974
This first edition differs from the later, revised edition in its covers, fold-outs, and the presence of an offset page. There are more rubberstamped texts and less typewriter poetry in the first edition than the revised edition. The revised edition also has pages printed in red ink whereas the first edition does not. -- Source of annotation: Marvin or Ruth Sackner.
The Book of Life Part Two, 1977
The Corridors of Flower-Power, 1969
Depicts three visual poetic word columns. The Archive also holds this print backed on museum board. -- Source of annotation: Marvin or Ruth Sackner.
The Corridors of Flower-Power, 1969
Depicts three visual poetic word columns and several circles with optical effects from interlacing short lines. This print is depicted on page 44 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.
The Cry (iej), 1989
The backgound text is a repetitively written run-on of the word 'freedom.' -- Source of annotation: Marvin or Ruth Sackner.
The Dawn of the Age of Leisure , 1975
The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. Stored in Odds & Sods. The duplicate print is matted. Another copy listed seperately was signed by Furnival. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.
The Dawn of the Age of Leisure , 1975
The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.
The Dawn of the Age of Leisure, 1975
The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has two other unsigned copies of this print; this is the only copy that is folded. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.
The Dawn of the Age of Leisure / Furnival, John., 1975
The completed text reads, "Wych Countree has the Elm Disease?" The outlines of world-wide countries are flying around a sky with a setting sun as if they were leaves. Four human figures are drawn encased in grids. The Archive has three other unsigned copies of this print. This print is depicted in Furnival's "Lost For Words" (2011) page 61. -- Source of annotation: Marvin or Ruth Sackner.
The End Of An Era, 1986
Flyer for Clive Fencott and Bob Cobbing's farewell poetry reading held on April 17 1986 at the Camden Head in London. On the back, handwritten note reads: "We have given up poetry. I am now into music and computer-graphics (scores) -Bob"
The Environment, 2005
The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.
The Erik Satie Road-Sign, second version / Furnival, John; Moore, A. Doyle., 1974
A red, triangular road sign in printed over two staves of music by Satie with the expression "Le colonel est la!" -- Source of annotation: Marvin or Ruth Sackner.
The Four Suits, 1965
The title of this book as described by Dick Higgins refers to the four authors of this book who are each identified in the introductions pages to their section by a suite of playing cards, e.g., clubs, hearts, diamonds and spades. Thus, what they have in common is that 1) each is essentially not operating in a media for which they were trained, 2) each is really operating in a medium or mode of activity of their own devising, which 3) lies somewhere between the conventional concept of the seven arts. The name Ben Patterson is used in this citation rather than Benjamin Patterson since all other references in this database refer to Ben not Benjamin Patterson. -- Source of annotation: Marvin or Ruth Sackner.
