A chair reproduced on the cover has an appearance similar to the chairs made by the Lettrist artist, Alain Satie. The publication also may have been intended as the second issue of Mirror Magnetik Interval. -- Source of annotation: Marvin or Ruth Sackner.

Five of the book covers have handcolored painted and/or collage additions. Two of the books have string spines.Sixteen items are listed on the table of contents label.l -- Source of annotation: Marvin or Ruth Sackner.

The central image is a skeletal, rubberstamped figure who juggles 5 rubberstamped spherical objects, perhaps key locks to a room. The figure stands on 2 mounds of letraset letters. A relief object collaged to the upper left corner consists of handwritten cancelled numbers on top of letraset letters with a paper fragment of blue sky and a cloud. The image may be a metaphor for Baroni's questioning his art, music, or hotel careers. This is one of a series of 8 Unrelated Pieces for the Sackn -- Source of annotation: Marvin or Ruth Sackner.

Peter Koch illustrated this surrelistic novel with six visual poetic images and Shelly Hoyt made the binding. Nations drew two small boxes next to his signature, one designated yes, the other no; the yes box is checked. -- Source of annotation: Marvin or Ruth Sackner.

Peter Koch illustrated this surrelistic novel with six visual poetic images and Shelly Hoyt made the binding. -- Source of annotation: Marvin or Ruth Sackner.

This work features ambiguities related to censorship. The label of two cigarette packs, "Lucky Strike" is cancelled to leave only "Lust." The cancelling device is a large block of wood with black paint at its tip that serves as phallic symbol. -- Source of annotation: Marvin or Ruth Sackner.

Luddites were bands of workers in England (1811-1816) organized to destroy machinery under the belief that its use diminished employment. Ned Luddite, an 18th century Leicestershire worker originated the idea. Furnival depicts a man's body flattened by a Rube Goldberg like machine with numbers streaming from upper pipes of the machine. Stored in Odds & Sods. Depictd in Furnival's "Lost for Words" (2011 page 138. -- Source of annotation: Marvin or Ruth Sackner.

The full title of this print, a quote from Rabbi Hanina Ben Tradyon, is "The Parchment is Burning but the Letters are Flying Free." It depicts Hebrew letters arranged randomly above a collaged, burnt surface of paper at the bottom of the print. Tradyon was an ancient Talmudic scholar who was executed for his beliefs. -- Source of annotation: Marvin or Ruth Sackner.

Poem by R. Bradbury. Designed and printed by R. Bigus. -- Source of annotation: Marvin or Ruth Sackner.

The poem reads, "The cliche kiss, engraved upon the air - a rain of rice when wrong boys finger the yellow sand; - Two that look then burst the loaded bus" -- Source of annotation: Marvin or Ruth Sackner.

The second of three of H. Bellaert's "n-books," all of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The drawing lists the names of the Sackners' children and grandchildren in 1991. -- Source of annotation: Marvin or Ruth Sackner.

The poem consists of nine horizontally placed black colored hearts that simulate a group of flying airplanes. Their black color rather than conventional red is an anti-war protest (Vietnam). -- Source of annotation: Marvin or Ruth Sackner.

This is a prospectus for a new book by the press with supplemental information by one of its proprietors in a letter to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of the book of the same title on white paper stock printed in red ink. Original copies are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.