Visual poetry
Subject Source: Sackner Database
Found in 239 Collections and/or Records:
Il Quotidiano Cancellato, 1982
Il Teatro Della Parola, 2011
The exhibition by Lora-Totino consisted of 48 works, one depicted on each page. -- Source of annotation: Marvin or Ruth Sackner.
(Im)modest Piece, 1990
[into the street of the words, light walks scattering poems, and it is dawn], 1999
Journal Impubliable, 1975
Exhibited in Visualog 2, San Luis Obispo, California an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Journal Impubliable, 1982
Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Journey 22 from Haslach to Hau (Elipsis), 1989
In this book object, the artist utilizes a photographic schematic of a vertical section of the whole lung as a hat for a young woman. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.
Kriwet 69, 1969
This is a comprehensive catalogue of Kriwet's oeuvre that include photographic reproductions of concrete poetry, prints, neon sculptures, installations, performances, critical texts, and typewriter poetry. -- Source of annotation: Marvin or Ruth Sackner.
Kwatz! / Cobbing, Bob., 1970
[La mostra resterà aperta...], 1974
Là Onde, 2001
The title of this book refers to waves. -- Source of annotation: Marvin or Ruth Sackner.
La Poesia entra nella vita / Poetry Gets into Life, 1983
Labyrinth of Time , 1988
Lady N's Dilemma, 1982
L'affaire du Labyrinthe, 2001
L'Amour chimique, 1984
This print shows structure of a series of organic chemistry benzine rings. It was exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Le Lapin Vivant; Carotte and Roll, 1991
This box and its contents represent documentation for an installation in galerie AB, Paris, January 1992. -- Source of annotation: Marvin or Ruth Sackner.
Letter from Eve, 1995
The image in the center of this work depicts a collaged reproduction of a renaissance painting of Adam and Eve with their hands on an apple. This is surrounded by linear calligraphic markings formed with black thread embedded in the paper that covers the object. A larger calligraphic mark formed with thicker brown thread simulates a large letter beginning an illuminated manuscript. Calligraphic markings at the bottom of the Adam and Eve image act as a "caption" for the painting. -- Source of annotation: Marvin or Ruth Sackner.
