Visual/verbal
Subject Source: Sackner Database
Found in 132 Collections and/or Records:
Catalog for "Piu vero di natura", 1992
Ce Jour La On N'avait Rien A Faire On A Fait Un Livre, 1968
Most of the collage elements are circular reinforcements for the holes of loose leaf pages in varied colors -- Source of annotation: Marvin or Ruth Sackner.
Civil Defense, 1984
Cooking the Books, 1987
Cries of Poindexter Village, 1980
The text appears to be an autobiographical account of the artist's youth. All leather work, including tanning, was done by the artist. Aminah Robinson (1940-2015) has also signed some of the books in this production with her given name, Brenda Lynn Robinson. Robinson, who received a MacArthur prize, had a major retrospective exhibition at the Brooklyn Museum 2006. This piece was in the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Das heruest hommage à i kant, 1978
The cards deal with building scaffolds. -- Source of annotation: Marvin or Ruth Sackner.
Death, 1982
Consists of a collage, a drawing and several magic marker pens attached. -- Source of annotation: Marvin or Ruth Sackner.
Der Geiger / Andryczuk, Hartmut., 1985
Desert Storm/Desert Sand, 1991
This bookwork emphasizes the major role of television in the conduct of the Gulf War. -- Source of annotation: Marvin or Ruth Sackner.
Elf Mal vom Schwarz, 1995
The theme of this collection deals with the cancelling of text or partially concealing text with black colored paint. -- Source of annotation: Marvin or Ruth Sackner.
Essaying Wanda 1978-1990 Volume Three, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Essaying Wanda 1978-1990 Volume Two, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Everyday Road Signs, 1988
Execution, 1987
The spine of the book in this composition, which has been altered to the appearance of a Guillotine, is entitled "Creative Aggression." This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.
Fiestaware, 1985
The cover and each page depict a photograph of female nude collaged with components of industrial machines tools that are placed in strategic positions. -- Source of annotation: Marvin or Ruth Sackner.
Flat Out, 1990
Words and images printed in phosphorescent ink glow in the dark with the ultraviolet lamp. The story relates to the falling of the sky from hydrocarbon to waste. The earth is burned and most of the people channel up through the jagged holes. Bucko, a dyslexic nomad, one of the few people left, comes out at night and collects part of the sky. He hopes to recreate what once was. The pages spiral out. -- Source of annotation: Marvin or Ruth Sackner.
