Visual/verbal
Subject Source: Sackner Database
Found in 318 Collections and/or Records:
Editions Camomille, No. 11: Vis-a-vis: Biografie de Henriëtte van Egten et Jan Voss, 1991
The colophon states that each book is different and contains original drawings. The pages mainly are recyled from other books published by the Boekie Wookie group in Amsterdam. -- Source of annotation: Marvin or Ruth Sackner.
Elf Mal vom Schwarz, 1995
The theme of this collection deals with the cancelling of text or partially concealing text with black colored paint. -- Source of annotation: Marvin or Ruth Sackner.
ERENBERG To Find and Take Possession of Emeralds, Provided That They Be Not at all (Magically) Guarded, 1979
Ideograms based upon poetry of Ezra Pound. -- Source of annotation: Marvin or Ruth Sackner.
Essaying Wanda 1978-1990 Volume Three, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Essaying Wanda 1978-1990 Volume Two, 1990
Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.
Everyday Road Signs, 1988
Everything in Her Bag #46, 1999
The drawing is one of a series in which the artist draws every item in a woman's handbag set out as a regular grid. -- Source of annotation: Marvin or Ruth Sackner.
Execution, 1987
The spine of the book in this composition, which has been altered to the appearance of a Guillotine, is entitled "Creative Aggression." This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.
Fall-Out Effect 1, 1989
Image is a portrait of Marvin Sackner when he had a beard. -- Source of annotation: Marvin or Ruth Sackner.
Fall-Out Effect 2, 1989
Image is a portrait of Ruth Sackner. -- Source of annotation: Marvin or Ruth Sackner.
Felix Mendelssohn-Bartholdy, 1989
Fiestaware, 1985
The cover and each page depict a photograph of female nude collaged with components of industrial machines tools that are placed in strategic positions. -- Source of annotation: Marvin or Ruth Sackner.
Flat Out, 1990
Words and images printed in phosphorescent ink glow in the dark with the ultraviolet lamp. The story relates to the falling of the sky from hydrocarbon to waste. The earth is burned and most of the people channel up through the jagged holes. Bucko, a dyslexic nomad, one of the few people left, comes out at night and collects part of the sky. He hopes to recreate what once was. The pages spiral out. -- Source of annotation: Marvin or Ruth Sackner.
