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Conventional non-fiction

 Subject

Subject Source: Sackner Database

Found in 104 Collections and/or Records:

The Day Is A Prayer They Can't Understand, 1967

 Item — Box 617: [Barcode: 31858072461027]
Identifier: CC-28494-29769
Scope and Contents

The abstract oil painting on brown paper that is collaged onto cover was done by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

The Day Is A Prayer They Can't Understand, 1967

 Item — Box 617: [Barcode: 31858072461027]
Identifier: CC-00536-549
Scope and Contents

Collage cover of photographic b&w reproductions of female nudes was composed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

The Gun Child, 1968

 Item — Box 617: [Barcode: 31858072461027]
Identifier: CC-49109-70149
Scope and Contents

d.a. levy did the cover drawing that depicts abstract markings. This book is stored in a d.a. levy box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

The Massacre of the Innocents / Cobbing, Bob ; Rowan, John ; Nuttall J., 1963

 Item — Box 385: [Barcode: 31858072461506]
Identifier: CC-17989-18359
Scope and Contents

Designated Poets 2. The cover was designed by Jeff Nuttall. These are Cobbing's first published poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

The Massacre of the Innocents: Working Copy / Cobbing, Bob ; Rowan, John ; Nuttall J., 1963

 Item — Box 385: [Barcode: 31858072461506]
Identifier: CC-17990-18360
Scope and Contents

Designated Poets 2. This copy was probably used by Cobbing for a performance/reading as it contains additional printed and handwritten poems pasted onto the pages as well as handwritten notes. The cover was designed by Jeff Nuttall. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

The North American Book of the Dead, 1966

 Item — Box 543: [Barcode: 31858072461068]
Identifier: CC-07240-7383
Scope and Contents

The theme of this poem deals with Zen and an afterlife place whose description was inspired by the Tibetan book of the Dead. The poem has five parts; the first two which were published in 1965 have been extensively revised and three parts added. The latter are bound upside down. Three drawings are reproduced in the book. The cover, a watercolor by levy, has a darker, more developed structure than the other copy of this book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

The Tin Can, 1988

 Item — Box 615: [Barcode: 31858073143871]
Identifier: CC-42596-44612
Scope and Contents

William Jay Smith also contributed an afterward. The wood engravings are by John DePol and M.A. Gelfand is the printer. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

The Used Future, 1978

 Item — Box 612: [Barcode: 31858072460987]
Identifier: CC-34265-35956

Tide(s) of Memory: Postmodern Queer, 2002

 Item — Box 129: [Barcode: 31858072457892]
Identifier: CC-38866-40792
Scope and Contents

This second volume of this series is implemented with markings, words and letters and is intended as a work on non-fiction. FnL (Francis and Leonie) collaborated on the concept, construction and binding. The authors write that "meaning is abolished and priority given to sight and touch." Postmodern Queer informs the queer from a postmodern perspective and is an on-going project that appears in many formats and sizes. -- Source of annotation: Marvin or Ruth Sackner.

Contains volume I (burlap, soft cover) and volume II (paper).

Dates: 2002

Variations on Flip, 1963

 Item — Box 544: [Barcode: 31858072461050]
Identifier: CC-07620-7765
Scope and Contents

According to Kent Taylor in a personal communication (1997) to the Sackners, this was d.a levy's second book. Further, he believes that "Dave" in the inscription was Dave Williams, a boy friend of Taylor's first wife, levy's cousin, Joan. Several copies were destroyed from the run and Jim Lowell estimated that only 10-15 copies remained intact. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

Virgins & Vampires, 1975

 Item
Identifier: CC-42144-44146
Scope and Contents

The line drawing is located near the title page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975