Conventional non-fiction
Subject Source: Sackner Database
Found in 104 Collections and/or Records:
The Day Is A Prayer They Can't Understand, 1967
The abstract oil painting on brown paper that is collaged onto cover was done by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.
The Day Is A Prayer They Can't Understand, 1967
Collage cover of photographic b&w reproductions of female nudes was composed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.
The Gun Child, 1968
d.a. levy did the cover drawing that depicts abstract markings. This book is stored in a d.a. levy box. -- Source of annotation: Marvin or Ruth Sackner.
The Massacre of the Innocents / Cobbing, Bob ; Rowan, John ; Nuttall J., 1963
Designated Poets 2. The cover was designed by Jeff Nuttall. These are Cobbing's first published poems. -- Source of annotation: Marvin or Ruth Sackner.
The Massacre of the Innocents: Working Copy / Cobbing, Bob ; Rowan, John ; Nuttall J., 1963
Designated Poets 2. This copy was probably used by Cobbing for a performance/reading as it contains additional printed and handwritten poems pasted onto the pages as well as handwritten notes. The cover was designed by Jeff Nuttall. -- Source of annotation: Marvin or Ruth Sackner.
The North American Book of the Dead, 1966
The theme of this poem deals with Zen and an afterlife place whose description was inspired by the Tibetan book of the Dead. The poem has five parts; the first two which were published in 1965 have been extensively revised and three parts added. The latter are bound upside down. Three drawings are reproduced in the book. The cover, a watercolor by levy, has a darker, more developed structure than the other copy of this book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Tin Can, 1988
William Jay Smith also contributed an afterward. The wood engravings are by John DePol and M.A. Gelfand is the printer. -- Source of annotation: Marvin or Ruth Sackner.
The Uncommon Perspective of M.E.J. Colter / Lynne Avadenka, 1993
The Used Future, 1978
Includes a poem entitled "FUCK." -- Source of annotation: Marvin or Ruth Sackner.
Tide(s) of Memory: Postmodern Queer, 2002
This second volume of this series is implemented with markings, words and letters and is intended as a work on non-fiction. FnL (Francis and Leonie) collaborated on the concept, construction and binding. The authors write that "meaning is abolished and priority given to sight and touch." Postmodern Queer informs the queer from a postmodern perspective and is an on-going project that appears in many formats and sizes. -- Source of annotation: Marvin or Ruth Sackner.
Contains volume I (burlap, soft cover) and volume II (paper).
To Be A Discrepancy In Cleveland, 1968
Tombstone As A Lonely Charm, Part 2, 1968
Tombstone As A Lonely Charm, Part 3, 1968
Variations on Flip, 1963
According to Kent Taylor in a personal communication (1997) to the Sackners, this was d.a levy's second book. Further, he believes that "Dave" in the inscription was Dave Williams, a boy friend of Taylor's first wife, levy's cousin, Joan. Several copies were destroyed from the run and Jim Lowell estimated that only 10-15 copies remained intact. -- Source of annotation: Marvin or Ruth Sackner.
Virgins & Vampires, 1975
The line drawing is located near the title page. -- Source of annotation: Marvin or Ruth Sackner.
