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This drawing is similar to another one with the same title but was extensively damaged (folds, paint peeling) in shipping from Rome to Miami Beach. -- Source of annotation: Marvin or Ruth Sackner.

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The collaged elements are painted adhesive labels. -- Source of annotation: Marvin or Ruth Sackner.

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The drawings which represent a sampling of Satie's style are collaged onto a single black leather sheet that is folded into a book-like object. The case holding the folded book has a one side with a clear plexiglas view of spray painted, movable alphabet soup letters that appear to originate from a small dish in the center. -- Source of annotation: Marvin or Ruth Sackner.

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Reproduction of an Etruscian bronze depicting the liver and gall bladder found in 1877 in Piacenza. -- Source of annotation: Marvin or Ruth Sackner.

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This work represents photographs of Pessin's objects and wall work. -- Source of annotation: Marvin or Ruth Sackner.

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Hieroglyphics scratched on to metal shaped as letter "E." -- Source of annotation: Marvin or Ruth Sackner.

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The edition size of this work is unknown but since there is a great deal of hand drawn additions, each one must be unique. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents According to a WEB site, Merante has been a member of Inism since its foundation (1980), taking an active part both on a creative/productive level as well as on a theoretical one in promoting on an international scale the ideas contained in the first Inist manifesto. He has taken part in all the activities the movement has organised or promoted as well as organising and running two inist exhibitions himself which took place in January 1985 at the University of Poitiers (France). He is the cosignatory of the second Ini manifesto Apollinaria Signa (Sant'Apollinaire - Perugia, 1987) as well as of the manifesto La Videoinipoesia. Manifesto Inista (Rome - Sant'Apollinaire, 1990). As a convinced promotor, like all inists, of the need to abolish every boundary that exists between the operative sectors in art and constantly preoccupied in reaching and stimulating all the senses of the spectator through a superimposition of levels of expression to be perceived simultaneously, he composes...

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This is the logo that is used in Inism exhibitions and on the cover of the Inist periodical, "Berenice." -- Source of annotation: Marvin or Ruth Sackner.

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Blaudszun was born in Koenigsberg, Germany in 1941. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Nadau wrote the Sackners that this work was made between Winter 2001 and Summer 2002 - about 8 months. He planned the work on several pieces of paper taped together. The word Adiabatique in one of the sentences of the drawing is a thermodynamic term. It was used for the title of a painting done with a donkey's tail prompted by Picasso and friends. The original title of the painting was "Coucher de Soliel sur L'Adiabatique; Nadau modified this to "Coucher de Lunettes sur Une Ame Adiabetique." Nadau adds that he never signs or dates his work. The following review is translated from a French newspaper: They are Eighteen draftsmen of today, very different one from the other, but all marked by Surrealism and Art Brut. The exhibition is called "Pointed (Sharp?) Drawings." It was put in place in one week, at the end of the month of August, to replace another exhibition that was scheduled and defaulted at the last moment. [The review opens with a discussion of Nadau's drawing "Paris Big...

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The images of the scroll focus upon fantastic architectures. -- Source of annotation: Marvin or Ruth Sackner.