This work is depicted on page 83 of Azcarate's catalogue "Liminal." -- Source of annotation: Marvin or Ruth Sackner.

First draft of poem written on the occasion of Smith's friend, Bill Segal's 90th birthday. Segal is married to Marielle Buscon, the book artist. -- Source of annotation: Marvin or Ruth Sackner.

Final version of poem; the first draft is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Chopin box. Amazon.com: Since the 1960s, conceptual artists Henri Chopin (Pairs-London), Guy de Cointet (Paris-Los Angeles) and Channa Horwitz (Los Angeles) have dedicated themselves to analyzing system deducing the rules and consolidating them into visible structures. This book accompanied the parallel where drawings by these three respected artists generate new meaning as the aesthetic-visual translation of early post-structuralist thought. A Void, taken from George Perec's experimental novel, which famously did not include the letter 'e' as a nod to language epistemological constraints. Riffing on this idea, the artists' works seem clearly embroiled in such systems of meaning-making. Horwitz's on the boundary of symbol and performance, while Chopin explored the line between chaos and order. de Cointet left behind an oeuvre characterized by codes and puzzles for future generations. -- Source of annotation: Marvin or Ruth Sackner.

This complex, dense, aerial view of buildings was achieved by typing only slashes and minus signs. -- Source of annotation: Marvin or Ruth Sackner.

This is the 'deluxe edition' of the book with a recycled hard cover. -- Source of annotation: Marvin or Ruth Sackner.

The work was typed with an IBM electric wheelwriter, typewriter onto Japanese paper. The letters have no litertal meaning. -- Source of annotation: Marvin or Ruth Sackner.

Designated pamphlet seven. Although the title page of this publication announces a debate, the pages consist of photocopied reproductions of concrete poems. -- Source of annotation: Marvin or Ruth Sackner.