Scope and Contents

Most of the visual imagery in this issue deals with the theme of 'water.' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Sample issue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Fire is the theme of this issue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Earth is the theme of this issue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The theme of this issue is "air." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is designated the final issue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...

Scope and Contents Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...

Scope and Contents Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...

Scope and Contents

There is a reproduction of a black and white collage featuring a female figure on each page of this book with a style reminiscent of the paste-ups of Jess. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The text provides a description of the eight paintings comprising the exhibition, "Vampires & Robots," -- Source of annotation: Marvin or Ruth Sackner.