Mark, Angela
Person
Found in 17 Collections and/or Records:
American Living. No.18 / Michael Shores ; Angela Mark., 1986
Item
Identifier: CC-25929-26391
American Living. No.19 / Michael Shores, Angela Mark, editors ; Miskowski M ; And M ; Winkler C ; Shores M ; Mark A ; Musicmaster., 1986
Item
Identifier: CC-25930-26392
American Living. No.20 / Michael Shores ; Angela Mark., 1987
Item
Identifier: CC-25932-26394
Scope and Contents
Most of the visual imagery in this issue deals with the theme of 'water.' -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1987
American Living. No.21 / Michael Shores ; Angela Mark., 1987
Item
Identifier: CC-25928-26390
Scope and Contents
Sample issue. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1987
American Living. No.22 / Michael Shores ; Angela Mark., 1986
Item
Identifier: CC-25927-26389
Scope and Contents
Fire is the theme of this issue. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1986
American Living. No.23 / Angela Mark ; Michael Shores., 1987
Item
Identifier: CC-25926-26388
Scope and Contents
Earth is the theme of this issue. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1987
American Living. No.24 / Angela Mark ; Michael Shores., 1988
Item
Identifier: CC-26028-26490
Scope and Contents
The theme of this issue is "air." -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1988
American Living. No.25 / Angela Mark ; Michael Shores., 1988
Item
Identifier: CC-25931-26393
Scope and Contents
This is designated the final issue. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1988
Cyberworld / Mark, Angela., 1993
Item
Identifier: CC-06479-6598
Global Mail. No.12/Sep-Dec / Mark A., 1995
Item
Identifier: CC-36434-38226
Scope and Contents
Angela Mark designed the cover for this issue. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1995
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-30106-31504
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-32240-33798
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-32241-33799
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Separate Souls / Mark, Angela., 1990
Item
Identifier: CC-06478-6597
Scope and Contents
Two cards are from "Techno-Age"and one is from "Dream Dance." -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1990
[Untitled] / American Living Press ; Mark A ; Shores M., 1993
Item
Identifier: CC-26572-27041
[Untitled] / American Living Press ; Mark A ; Shores M., 1996
Item
Identifier: CC-29795-31173
Xerolage: American Living. No.11 / Michael Shores ; Angela Mark., 1987
Item
Identifier: CC-33208-34838
Scope and Contents
Pages reproduce visual collages. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1987