Soroka presents his biography and a reprint "Visual Poetry in Ukrainian Literature," from the Ukrainian Review, 1998, Vol.45, No.1. There are also examples from early Ukrainian and European visual poetry and the recent works of Soroka. -- Source of annotation: Marvin or Ruth Sackner.

DeCampos responds to a classification system proposed by Houedard by pointing out "visual organization of words, with an overemphasis on relations of proximity and resemblance between them, leads ineluctably to an equivalent overemphasis on sound, implying a dynamical use of paronomasia and alliteration that explains why Brazilian young musicians have been so much interested in many of our seeming eyepoems, and in the making of oral presentations for them." He states he wrote to Hugh Kennerabout Ezra Pound and received a sympathetic response. -- Source of annotation: Marvin or Ruth Sackner.

There are 28 shaped poems in this book that was printed from a manuscript in which the calligraphers who did the writing were supervised by Maurus. Three copies of this manuscript were made. A facsimile of one of them is held by the Sackner Archive and the images in the book are not identical to the manuscript in all instances. The black letters were made with lead type and the red letters with woodcut type. Two pages that depict a pattern poem of Christ on the Cross as well as another poem with a figure are missing from the book. -- Source of annotation: Marvin or Ruth Sackner.

There are 28 shaped poems in this book that was adapted from a manuscript in which the calligraphers who did the writing were supervised by Maurus. Three copies of this manuscript were made. A facsimile of one of them is held by the Sackner Archive a in the images from the manuscript in some of them. The black letters were made with lead type and the red letters with woodcut type. Includes reproductions of 28 shaped poems and two paintings. -- Source of annotation: Marvin or Ruth Sackner.

The theme of the exhibition was "The Fly." It was curated by Kestutis Grigalinus. It includes several essays that illustrate and trace the international artist book movement. -- Source of annotation: Marvin or Ruth Sackner.

The works listed in this catalogue and held by the Sackner Archive include the following: "Prose du Transsiberien" by Sonya Delaunay and Blais Cendrars,and "De laudeibus sanctae crucis opus" by Hrabanus Maurus. -- Source of annotation: Marvin or Ruth Sackner.

Includes annotated listing of ancient books dealing with cryptography, ancient languages, shorthand, language (philosophy), sign languages, etc. -- Source of annotation: Marvin or Ruth Sackner.

This is the 2nd edition of the catalogue whose content appears to be the same as the 1st edition (also held by the Sackner Archive). Several works held by the Sackner Archive are reproduced in this extensive international anthology of shaped, concrete and visual poetry, including among others Iliazd & Ernst "Maximilliana," Hrabamus Maurus, Journal Amusant, Mallarme's "Un Coup De Des," Fraenkel's "Visual Interpretations of Un Coup De Des," Apollinaire's "Calligrammes," Lurcat's "Le Bestiaire Fabuleux," King's "Alphabeta Concertina," and Johns and Beckett's "Fizzles." The ancient shaped poems predominate from German sources. The 1986 bibliography of the Sackner Archive is cited as one of the references. -- Source of annotation: Marvin or Ruth Sackner.

This is the 1st edition of the book which differs from the 2nd edition (also held by the Sackner Archive) in terms of the description on the publication page. For example, it has a caption that reads, "Gedruckt mit Unterstutzung der Bergischen Univesitat - Gesamthochschule Wupperthal und des Westfiels College, London." Several works held by the Sackner Archive are reproduced in this extensive international anthology of shaped, concrete and visual poetry, including among others Iliazd & Ernst "Maximilliana," Hrabamus Maurus, Journal Amusant, Mallarme's "Un Coup De Des," Fraenkel's "Visual Interpretations of Un Coup De Des," Apollinaire's "Calligrammes," Lurcat's "Le Bestiaire Fabuleux," King's "Alphabeta Concertina," and Johns and Beckett's "Fizzles." The ancient shaped poems predominate from German sources. The 1986 bibliography of the Sackner Archive is cited as one of the references. -- Source of annotation: Marvin or Ruth Sackner.