The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.

The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.

The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.

The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.

The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.

This is a unique printed book with supporting artwork and text that apparently was never editioned. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Carla Bertola. The gold leaf accents on the cover and pages are typical of Schodl's artistic style. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Carla Bertola. The images are painted on printed pages from an Italian bible. -- Source of annotation: Marvin or Ruth Sackner.

Each page of this book consists of calligraphic markings in varied arrangements. -- Source of annotation: Marvin or Ruth Sackner.

Brainard Carey aka Brian Salzberg. The calligraphic markings are made with thick brush strokes in a way suggestive of oriental calligraphy. -- Source of annotation: Marvin or Ruth Sackner.

The book is shaped like a maple leaf, the national symbol of Canada. The content deals with a play of the English and the Russian A's. -- Source of annotation: Marvin or Ruth Sackner.

Box is shaped like a coffin and pages depict cancelled stamp image of famous person along with handwritten quote on some aspect of death by that individual. -- Source of annotation: Marvin or Ruth Sackner.

Pages have been cut from newspaper without any alterations. -- Source of annotation: Marvin or Ruth Sackner.

The following is abstracted from an afterword written by Marvin Sackner: I was initially uncertain whether the book was an assembling edited by curry or whether the 49 poems, one on each page and on the covers, in widely diverse styles, were produced by curry alone. Looking more closely, I recognized several poems by curry which had appeared in previous publications. curry had produced a compendium of sometimes playful, othertimes profound, visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

On the verso of most pages, curry has written the first publication of these works. -- Source of annotation: Marvin or Ruth Sackner.

The following is abstracted from an afterword written by Marvin Sackner: I was initially uncertain whether the book was an assembling edited by Curry or whether the 49 poems, one on each page and on the covers, in widely diverse styles, were produced by Curry alone. Looking more closely, I recognized several poems by Curry which had appeared in previous publications. Curry had produced a compendium of sometimes playful, othertimes profound, visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

Ths booklet is similar in concept to those mae by Wally Depew who also made pin holes in some of his bookets and relied on chance staining of the pages with paint and ink. The back cover is rubberstamped '126.' Wikipedia: Vaclav Boštík (November 6, 1913 - May 7, 2005) was a Czech painter, graphic artist and illustrator. In 1937 he joined the Academy in Prague and from 1942, he was a member of the Umělecka berseda (Art Forum). In 1960 he became one of the founding members of the UB 12 Group. His early work is much influenced by painters Corot and Cezanne and realism. However, by the late 1950s, he had begun painting abstract art. Later he participated in the restoration of Renaissance artistic work on the facade of Litomyšl castle.Shortly before his death, in 2004 he received an award from the Minister of Culture and in the same year Medal of Merit from the President of the Czech Republic. -- Source of annotation: Marvin or Ruth Sackner.