Critical text
Found in 3304 Collections and/or Records:
Small Press Review: 4th Annual Library Issue. No.137-138/Jun-., 1984
Small Press Review. No.135/Apr / Burroughs WS., 1984
Small Press Review. No.245/Jun / Kostelanetz R., 1993
Includes letters from the readership in response to Richard Kostelanetz's guest editorial on receiving rejection letters from small mags. -- Source of annotation: Marvin or Ruth Sackner.
Small Press Review. No.265/Feb., 1995
Also includes Small Magazine Review V.2, N.7. -- Source of annotation: Marvin or Ruth Sackner.
Small Press Review. No.269/Jun / Grumman B., 1995
Also includes Small Magazine Review V.2, N.11. -- Source of annotation: Marvin or Ruth Sackner.
Small Press Review. No.275/Dec / Andre M., 1995
Includes Small Press Magazine Review in which there is a review of Wormwood Review #137 1995. -- Source of annotation: Marvin or Ruth Sackner.
Small Press Review. No.275/Oct / Lifshin L., 1995
Small Press Review. No.299/Dec / Bukowski C., 1996
Small Victories / Williams, Dave., 2015
This book deals with a couple's surprising adventures building and dispersing an unrivaled collection of American prints, David and Reba Williams, PhD. -- Source of annotation: Marvin or Ruth Sackner.
Smart Money and Art: Investing in Fine Art / Ackerman, Martin S. ; Sackner MA ; Sackner RK., 1986
The Sackner Archive is mentioned as "the best collection of book arts in the world...an extrordinary melange of possibilities of future potential for the arts." Ackerman was a great friend of the Sackners. -- Source of annotation: Marvin or Ruth Sackner.
Smart Money and Art: Investing in Fine Art / Ackerman, Martin S.; Sackner MA; Sackner RK., 1986
This manuscript was given to the Sackners with an attached card Compliments of Martin S. Ackerman - Ruth and Marvin: Would appreciate it if you would read this. I will call you when I get back from my trip. If you see andy typos or names misspelled, [please let me know. Marty." The Sackner Archive is mentioned as "the best collection of book arts in the world...an extrordinary melange of possibilities of future potential for the arts." Ackerman was a great friend of the Sackners. -- Source of annotation: Marvin or Ruth Sackner.
Smoke Signals. No.2-3 / Bukowski C ; levy da ; Federman R ; Swanberg I., 1981
Sol LeWitt / LeWitt, Sol ; Beckett S ; Lippard L ; Rose B., 1987
Exhibition catalogue edited by Alice Legg and published in conjunction with exhibition at MOMA held February 3 - April 4, 1978. Catalogue was designed by LeWitt, and includes essays on LeWitt by Robert Rosenblum, Lucy R. Lippard, and Bernice Rose. Also included are a list of illustrations, a selection of writings by Sol LeWitt, a selected bibliography and list of exhibitions. -- Source of annotation: Marvin or Ruth Sackner.
Solar 2nd edition / Pino, Francisco ; Queneau R ; Blake W., 1984
Some Myths of Concrete Poetry / Cobbing, Bob; Mayer, Peter; Chopin H; Bann S; Finlay IH; Mills S; Belloli C; Finch P; Gomringer E; Wright E; Fahlstrom O; Themerson S; Jandl E; Morgan E; Furnival J., 1972
Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.
Something Else Newsletter: Intermedia. No.1 / Dick Higgins ; Oldenburg C ; Rauschenberg R ; Corner P ; Cage J., 1966
Higgins essay marks the first time that Intermedia was designated as an art form. -- Source of annotation: Marvin or Ruth Sackner.
Somevolumesfromthelibraryofbabel / Gibbs, Michael ; Borges J ; Mallarme S ; Abulafia A ; Burroughs WS ; Gysin B ; Massin R ; Williams E ; Castillejo JL ; deCointet G ; N.E. Thing ; Darboven H ; Kozlowski J ; Roth D ; Kuenstler F ; Instone J ; Ferguson G., 1982
Gibb's introductory essay is written in a run-on style without periods to end the sentences. -- Source of annotation: Marvin or Ruth Sackner.
Soupis Graficke Tvorby Z Let 1961 - 1993 / Ovcacek, Eduard., 1993
Ovcacek was one of the founding members of the Czech movements of concrete poetry and Lettrisme in the 1960's, and was an initiator of "Lettristic Photography." His work was inspired by letters, pictogrammes, symbols of zoomorphy and anthropomorphy, ideograms and the human figure. He used letter symbols as a medium of artistic and semantic meaning. -- Source of annotation: Marvin or Ruth Sackner.
Southeast Seven Eleven / Mabe J., 1988
Souvenirs: 100 postcards by Ian Hamilton Finlay, 2000
All the cards depicted in this book are held by the Sackner Archive. Futher, about five times more cards by Finlay are held by the Sacknsr Archive. -- Source of annotation: Marvin or Ruth Sackner.