Critical text
Found in 3293 Collections and/or Records:
Cote Ouest / Hubaut, Joel., 1988
Card reproduces painting in sepia tones held held by Sackner Archive. Comments on Hubaut's work on verso by J.P. Chambon. -- Source of annotation: Marvin or Ruth Sackner.
Counter. No.2/Spr., 1995
Counter. No.5/Fall / Mark E ; Atwood M ; Swenson M., 1996
Three Chinese printed papers are tipped onto two pages; they represent papers for spiritual burning ceremonies. -- Source of annotation: Marvin or Ruth Sackner.
Course of Empire / Ruscha, Edward., 2005
Crimes of Culture, 1995
Subtitled "Three Decades of Citizen's Arrests," Kostelanetz has collected selected political essays written in the last three decades and organized them into two sections; Culture including In Darkest Fulbright, The Copyright Czar, Contemporary Scams and Cultural Funding including National Endowment for the Inhumanities, The King and Queen of Literary Grants, Ripping Off the Heritage Foundation. In these essays, Kostelanetz, as an expert in "the Art of Literary demolition," exposes the NEA, the NEH, the academic and grants community and the political literary culture in America. -- Source of annotation: Marvin or Ruth Sackner.
Criptogrammi e Scritture Etrusche / Fedi, Fernanda ; Ferri G ; Isgro E ; Accame V ; Munari B ; Sackner RK ; Sackner MA., 1996
Mention is made that the Sackner Archive holds works by Fedi. -- Source of annotation: Marvin or Ruth Sackner.
Criptogrommi e Scritture Etrusche 1989-1996 / Fedi, Fernanda ; Ferri G ; Isgro E ; Accame V., 1996
The Sackner Archive is listed among the "Archivi e Centro di Documentazione." -- Source of annotation: Marvin or Ruth Sackner.
Crossing Borders: American Literature and Other Artistic Media / Maszewski, Jadwiga, editor ; Cage J ; Patchen K ; Blei N., 1992
Crystallography: A Report on Lucid Writing / Bok, Christian ; Wittgenstein L., 1997
In this essay, Bok points out that crysallography, which denotes scientific study of crystals, literally means 'lucid writing.' He analyzes writings by Wittgenstein, Escher, Gallois, Deleuze, etc. in this context. -- Source of annotation: Marvin or Ruth Sackner.
Culturel d'un Journal Qui N'E. Suppl / Lemaitre M., 1990
cummings, e.e.: The Art of His Poetry / Friedman, Norman ; cummings ee., 1960
This is an analysis of the themes, stylistic devices, and working methods of cummings' poetry. -- Source of annotation: Marvin or Ruth Sackner.
Currents / Erenberg S ; Saar A., 1989
[Curriculum Vitae and Publications], 2000
Soroka presents his biography and a reprint "Visual Poetry in Ukrainian Literature," from the Ukrainian Review, 1998, Vol.45, No.1. There are also examples from early Ukrainian and European visual poetry and the recent works of Soroka. -- Source of annotation: Marvin or Ruth Sackner.
Cut-Up / Weissner, Carl, editor ; Burroughs WS ; Beach M ; Nuttall J ; Pelieu C ; Gysin B ; Ford CH., 1969
This is an anthology in German of articles which appeared in English in Arcade No.1 (1964), in Klacto/23 (1967), Insect Trust Gazette No.2 (1962) & No.4 (1968) and Writers Forum No.21 (1966). These dealt with the cut-up technique of making fiction pioneered by Burroughs and Gysin. -- Source of annotation: Marvin or Ruth Sackner.
Cymbalum Pataphysicum: Escrocs. / Kafka F., 1979
Also designated Collection Les Asteronymes 3. -- Source of annotation: Marvin or Ruth Sackner.
Czech Avant-Garde Books 1922-1938 / Vloemans, John ; Biebl K ; Breton A ; Nezval V ; Seifert J ; Teige K ; Hoffmeister A ; Marinetti FT ; Styrsky J ; Sutnar L., 1994
The complete text of Karel Teige's typographic manifesto, published in Typografia No.34, 1927, is reprinted at the end of this catalogue in German. -- Source of annotation: Marvin or Ruth Sackner.
Da Dada da war ist Dada da / Riha, Karl ; Tzara T ; Huelsenbeck R ; Hausmann R ; Ruhm G ; Ulrichs T ; Schauffelen KB ; Grosz G ; Heartfield J ; Baader J., 1980
d.a. levy's " destructive writing" and the Instant of Communication, 1998
Swanberg (aka Markhardt) analyzes levy's poem, "Selected Writings" of 1967, "in which no images appear and in which the words and lines bleed with a superabundance of black mimeo ink ringed by a faint aura of oil...The poem's destructive writing is a putting to death of words. Its realm is without mastery, without time. It is the instant of a complete spending, in which words are sacrificed and the poem IS." -- Source of annotation: Marvin or Ruth Sackner.
Dada Berlin: Texte Manifest Aktionen / Riha, Karl, editor ; Huelsenbeck R ; Grosz G ; Baader J ; Mehring W ; Golyscheff J ; Hoch H ; Hausmann R ; Heartfield J., 1977
This is anthology of writings by German Dadaists. -- Source of annotation: Marvin or Ruth Sackner.