This is one of 20 posters printed as an outdoor environmental event by Bill Seaman. The Sackners lent financial support to this artistic action. Each finished poster carries a brief instruction to the viewer that has been set in an old blind printed computer jagged typeface on a solid black background achieved by pressing, with steamroller, an inked metal plate placed on a paper sheet upon a street. -- Source of annotation: Marvin or Ruth Sackner.

This is one of 20 posters printed as an outdoor environmental event by Bill Seaman. The Sackners lent financial support to this artistic action. Each finished poster carries a brief instruction to the viewer that has been set in an old blind printed computer jagged typeface on a solid black background achieved by pressing, with steamroller, an inked metal plate placed on a paper sheet upon a street. -- Source of annotation: Marvin or Ruth Sackner.

This is one of 20 posters printed as an outdoor environmental event by Bill Seaman. The Sackners lent financial support to this artistic action. Each finished poster carries a brief instruction to the viewer that has been set in an old blind printed computer jagged typeface on a solid black background achieved by pressing, with steamroller, an inked metal plate placed on a paper sheet upon a street. -- Source of annotation: Marvin or Ruth Sackner.

This is one of 20 posters printed as an outdoor environmental event by Bill Seaman. The Sackners lent financial support to this artistic action. Each finished poster carries a brief instruction to the viewer that has been set in an old blind printed computer jagged typeface on a solid black background achieved by pressing, with steamroller, an inked metal plate placed on a paper sheet upon a street. -- Source of annotation: Marvin or Ruth Sackner.

This is one of 20 posters printed as an outdoor environmental event by Bill Seaman. The Sackners lent financial support to this artistic action. Each finished poster carries a brief instruction to the viewer that has been set in an old blind printed computer jagged typeface on a solid black background achieved by pressing, with steamroller, an inked metal plate placed on a paper sheet upon a street. -- Source of annotation: Marvin or Ruth Sackner.

Each poem object consists of a box handmade by Biro into which has been placed a circular mirror on a cushioned bed with the following lines: 1) We Get On Well, 2) I Don't Look Anyone In The Eye, 3) I'm Obsessed With The Future, 4) It's Hard Not To Hate In A Situation Like This, 5) Often Feel Like Don Quixote and 6) Life Here Is Just Survival. -- Source of annotation: Marvin or Ruth Sackner.

One list of acronyms used in the artworks consist of international NGO's and UN agencies based in Kabul, Afghanistan, the other banned organizations, liberation armies, and security agencies. -- Source of annotation: Marvin or Ruth Sackner.

The prints consist of single four letter words including fade, bunt, slow and rant on abstract colored backgrounds. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this long poem can be arranged by the reader. -- Source of annotation: Marvin or Ruth Sackner.

The typographic appearance of the broadsides shows poorly printed typesetting of the texts. -- Source of annotation: Marvin or Ruth Sackner.

Howard Smagula is an artist born in 1942 who wrote a book entitled "Creative Drawing" (2002). There is no mention of this book on the internet nor its date or tirage. It consists of a banal story in large single colored letters on each broadside. -- Source of annotation: Marvin or Ruth Sackner.

Edited by G. de Rook. -- Source of annotation: Marvin or Ruth Sackner.