A poster that exhorts Finlay friends to help in his despute with the regional tax collectors. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Karl Young. This exhibition commemorates the first nuclear holocaust, August 6, 1945 and a call for banning nuclear weapons everywhere. -- Source of annotation: Marvin or Ruth Sackner.

This print deals with political and environmental issues in America using dense cartoon-like sketches in black & white, e.g., Attica, NY before police take prison, Colorado Plateau Colo.- Union Carbide extracts uranium, average 50 workers die of lung brain surgery on homosexuals and habitual criminals, etc. The background is a grid of squares labeled as states and on the left side instructions for playing a game. This print was part of nine other prints by Fahlstrom published by multipla editions. -- Source of annotation: Marvin or Ruth Sackner.

Subtitled "The Sixties Underground Press and the Rise of Alternative Media in America," the book title was suggested to the author by Allen Ginsberg. -- Source of annotation: Marvin or Ruth Sackner.

Presentation of text is in the form of a questionaire that is illustrated with line drawings of Panzer tanks by Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

The card reproduces a watercolor image of a musket with bayonet. The caption "Socle" means pedestal or stand. -- Source of annotation: Marvin or Ruth Sackner.

The book documents the efforts to free the authors from political incarceration. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a column of printer's visual ornaments with skulls in the center row. -- Source of annotation: Marvin or Ruth Sackner.

Jack Hirschman contriburtes an introductory essay describing Glik's poems and songs as personifying the creed of Partisans against Nazism particularly in Vilna , Lithuania. "When the news of the Waqrsaw Ghetto uprising reached the Vilna ghetto, it inspired Hirsh to write his famous song-poem "Zog Nit Keynmor (Don't Ever Say)"... In a short time and with amazing speed, Hirsh Glik's song became the anthem of the Resistance: It swept through the ghettos and camps and became known as "the Song of the Partisans." -- Source of annotation: Marvin or Ruth Sackner.

This is the 28th book in a series of chapbooks pubished by La Perruque Editions Chapbooks and Slack Buddah Press. The cover was designed by William and L.A. Howe. -- Source of annotation: Marvin or Ruth Sackner.

The word HOPE on this collage is formed from letters on four Metro tickets. -- Source of annotation: Marvin or Ruth Sackner.

The collage composed of different typefaces and dimensions dealing with a political theme is typical of Balestrini's ouevre in the early sixties which has been much reproduced in concrete poetry anthologies of its early period. It is reproduced on page 162 of his 2006 exhibition catalogue, "Con gli occhi del linguaggio." -- Source of annotation: Marvin or Ruth Sackner.

According to Hirschman in a letter to the Sackners, the title is a combination of Soviet and Dissidents. The works are put together in the same book-box.These drawinngs are of the very essence of the influence of the artists of revolutionary Russia. The title is meant to be humorous as these pieces and the box were conceived in relation, or rather in synchronous time with the goodwill games in Moscow. -- Source of annotation: Marvin or Ruth Sackner.

The two loose sheets describe undesirable side-effects of capitalism and a site list of watchdogs and gadflies. The currency consists of five photocopied 20 dollar bills, realistically reproduced on the recto and containing environmentally incorrect sites on the verso, e.g., Mexico strip mining, Rewanda genocide, Burma forced labor, Brazil deforestation, and Los Angeles toxic ghettos. -- Source of annotation: Marvin or Ruth Sackner.

This print is not listed in Finlay's book, Prints 1963-1997. -- Source of annotation: Marvin or Ruth Sackner.