Visual art
Found in 5469 Collections and/or Records:
Storm Riders and Other Plays / Higgins, Dick., 1998
This book includes the scripts of eight short plays. -- Source of annotation: Marvin or Ruth Sackner.
StoryHead. No.3 / Gaard F., 1994
STORY/lines: Narrative in Drawing / Schmerler, Sarah; Wilner M., 2007
Sarah Schmerler writes about this exhibition, "Martin Wilner's series "Making History" (monthly calendar drawings started in 2002) combines disparate, often disturbing images lifted from current events - George Bush's distorted face, men in surgical masks - with snippets of ephemera like sheet music, making visual sense of a world gone chaotically awry...it's the raw and honest approach to drawing shared by Gabel and Wilner that mades the ferry trip worthwhile." The Sackner Archive holds three of the monthly calendar drawings. -- Source of annotation: Marvin or Ruth Sackner.
Straiks / Cutts, Simon ; Finlay, Ian Hamilton ; McK Glen, Sydney., 1973
This booklet is cited in two places because the first author listed is Cutts but it is listed in the Finlay bibliography. Straiks" or "strakes" are stripes of different color from the rest of the surface of which they form a part (OED). The text plays upon variations: streams, streets, streaks, straiks. -- Source of annotation: Marvin or Ruth Sackner.
Straiks / Finlay, Ian Hamilton ; Cutts, Simon ; McK Glen, Sydney., 1973
This booklet is cited in two places because the first author mentioned is Cutts but the booklet is listed in Finlay's bibliography. -- Source of annotation: Marvin or Ruth Sackner.
Strange Messenger: The Work of Patti Smith / Smith, Patti., 2002
The exhibition, which also travelled to the ICA at the University of Pennsylvania, consisted of early drawings by Smith in which she "struggles to transform the written language itself, creating unforeseen permutations -an alchemy of word and gesture." The second part of the catalogue contains drawings related to September 11, the Tower of Babel and the works of Rimbaud, William Blake and Antonin Artaud. There are several shaped, calligraphic poems in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.
Strangely Layered: The World of Andrea Dezso / Dezso, Andrea., 2013
Included in the exhibition and illustrated are ten works in the embroidered series "My mother claimed that..." The Sackner Archive holds two examples ot these works. -- Source of annotation: Marvin or Ruth Sackner.
Strangely Layered: The World of Andrea Dezso / Dezso, Andrea., 2013
Included in the exhibition and illustrated are ten works in the embroidered series "My mother claimed that..." The Sackner Archive holds two examples ot these works. -- Source of annotation: Marvin or Ruth Sackner.
Street Flesh / LaChance, Bertrand., 1972
The spelling in some of the poems is patterned after bill bissett. The visual art consists of reproductions of collages by Lachance. -- Source of annotation: Marvin or Ruth Sackner.
Street Scenes / Murphy, Peter., 1982
These images are similar to those in Murphy's book, "A Stab in the Dark." -- Source of annotation: Marvin or Ruth Sackner.
Stroke Order / Ginny Lloyd., 1983
Stroke Order / Ginny Lloyd., 1983
Stroker. No.14 / Miller H ; Stettner I., 1980
Edited by Irving Stettner. -- Source of annotation: Marvin or Ruth Sackner.
Studio Brescia Exhibition Catalog: Disegni & Collages. No.2 / Raoul Hausmann ; Bory JF., 1972
Bory wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.
Studio Brescia Exhibition Catalog: Longlife to Piero Manzoni!. No.7 / Piero Manzoni ; Sarenco., 1973
Sarenco wrote the introductory essay and a facsimile of his handwritten inscription is reproduced on the first page. -- Source of annotation: Marvin or Ruth Sackner.
Studio Brescia Exhibition Catalog: Questioni dell'arte. No.16 / Eduardo Arroyo ; Eugenio Miccini ; Aldo Mondino ; Sarenco., 1974
Studio Santandrea Announcement: Visible Invisible. No.90 / Lamberto Pignotti., 1980
Study 30 / Bruskin, Grisha., 1990
The drawing consists of a grid of eight subdivisions containing figures of Russian-Jewish extraction and surrealistic creatures, imagery commonly employed by Gruskin in his oeuvre. The calligraphic Hebrew in red and black inks in each of the subdivisions is nontranslatable and Kabbalistic in sensibility, recalling the use for similar purposes by the American artist Wallace Berman. A few words in the Cyrillic alphabet are also present. -- Source of annotation: Marvin or Ruth Sackner.